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Necroticgorebeast: Repugnant (2023)

Due to being massively overloaded with material it has been quite some time since I have taken anything from Imperative PR, and I had forgotten just how much I enjoy their press releases. This one starts, “I am faceless and I am empty. You could fall into the hollow...

George Gee Swing Orchestra: Winter Wonderland (2023)

George Gee has been leading his own swing orchestra since 1980, and after returning to New York in the early Nineties secured a residency at Times Square’s SWING46 Jazz Club which is now in its 26th year. This album features ten Christmas songs which have been...

Freya: Fight As One (2023)

It is strange to think it is now 20 years since Freya burst onto the scene with ‘As The Light Drains’, but now they are back with their seventh full-length album, the first since 2016. Only singer Karl Buechner is still there from those early days, but Erick Edwards...

Erik Dahl Ensemble: Everyone’s Too Sad For Everything (2023)

There has been just one change in personnel since the 2022 debut ‘Gethenian Suite’, as double bassist Tove Brandt has been replaced by Viktor Reuter. Erik Dahl (piano, electronics) has again been joined by Anna Cochrane (violin, viola), Andreas Thurfjell...

Dying Fetus: Make Them Beg For Death (2023)

With a line-up which has been a constant since 2007, and a recording history which goes back 30 years to their first debut, there are no surprises when it comes to Dying Fetus who have long been straddling the death metal genre in their own distinct style. “We put our...

Helms Deep: Treacherous Ways (2023)

I know I speak for all reviewers in saying we get flooded with requests on a daily basis, and we can only take a small percentage of what we are offered, which means many “new” bands often get overlooked due to time. I saw the email come through, didn’t recognise the...

Dave Loveland: Dangerous Rhythm (2022)

As soon as one starts listening to this album the time machine kicks in as what we have here is something which does not belong in the current music scene but instead takes us back to the early Sixties when British instrumental guitar groups were all the rage. Being...

Darrel Treece-Birch’s Atlantea: Choices (2023)

Back in 2013 I was trawling the web one night and came across an album called ‘Celestial’ by Darrel Treece-Birch which seemed interesting, so I grabbed it and gave it a positive review. What I did not know was that Darrel at the time was not only keyboard player with...

Various Artists: 25 Anniversary of Odium Records (2023)

Subtitled ‘Devoted to Devils Music’, this free sampler contains fifteen tracks from across the Odium Records roster to provide listeners with some insight into what the label owner likes to play when relaxing. Yes, this is black metal, and of all sub-genres it is one...

Bowmanville: Bowmanville (2022)

Here we have the debut album from jazz quintet Bowmanville, who comprise Ethan Adelsman (violin), Graham Nelson (vocals, harmonica), Mason Jiller (guitar) and Noah Plotkin (drums) along with bassists Oliver Horton and Ethan Philion who play on different tracks. Any...
Necroticgorebeast: Repugnant (2023)

Necroticgorebeast: Repugnant (2023)

Due to being massively overloaded with material it has been quite some time since I have taken anything from Imperative PR, and I had forgotten just how much I enjoy their press releases. This one starts, “I am faceless and I am empty. You could fall into the hollow...

Freya: Fight As One (2023)

Freya: Fight As One (2023)

It is strange to think it is now 20 years since Freya burst onto the scene with ‘As The Light Drains’, but now they are back with their seventh full-length album, the first since 2016. Only singer Karl Buechner is still there from those early days, but Erick Edwards...

Dying Fetus: Make Them Beg For Death (2023)

Dying Fetus: Make Them Beg For Death (2023)

With a line-up which has been a constant since 2007, and a recording history which goes back 30 years to their first debut, there are no surprises when it comes to Dying Fetus who have long been straddling the death metal genre in their own distinct style. “We put our...

Helms Deep: Treacherous Ways (2023)

Helms Deep: Treacherous Ways (2023)

I know I speak for all reviewers in saying we get flooded with requests on a daily basis, and we can only take a small percentage of what we are offered, which means many “new” bands often get overlooked due to time. I saw the email come through, didn’t recognise the...

Dave Loveland: Dangerous Rhythm (2022)

Dave Loveland: Dangerous Rhythm (2022)

As soon as one starts listening to this album the time machine kicks in as what we have here is something which does not belong in the current music scene but instead takes us back to the early Sixties when British instrumental guitar groups were all the rage. Being...

Darrel Treece-Birch’s Atlantea: Choices (2023)

Darrel Treece-Birch’s Atlantea: Choices (2023)

Back in 2013 I was trawling the web one night and came across an album called ‘Celestial’ by Darrel Treece-Birch which seemed interesting, so I grabbed it and gave it a positive review. What I did not know was that Darrel at the time was not only keyboard player with...

Bowmanville: Bowmanville (2022)

Bowmanville: Bowmanville (2022)

Here we have the debut album from jazz quintet Bowmanville, who comprise Ethan Adelsman (violin), Graham Nelson (vocals, harmonica), Mason Jiller (guitar) and Noah Plotkin (drums) along with bassists Oliver Horton and Ethan Philion who play on different tracks. Any...

Sadistic Force: Midnight Assassin (2023)

Sadistic Force: Midnight Assassin (2023)

Sadistic Force describe themselves as a blackened speed metal band who hail from Austin, Texas. Formed in 2020 by lead vocalist and guitarist, James Oliver, the band is completed by bassist Blaine Dismukes and drummer Jose Alcaraz. They say combine the subgenres of...

Autopsy: Ashes, Organs, Blood and Crypts (2023)

Autopsy: Ashes, Organs, Blood and Crypts (2023)

Looking over at my music DVDs I can see Autopsy’s ‘Dark Crusades’, a rough and raw set of cuts dating all the way back to 1988. Back when this was released in 2006, Autopsy were a band who had been replaced by Abscess, no-one ever daring to believe that one of the...

Imperial Slave:.​.​.​Still At Large (2023)

Imperial Slave:.​.​.​Still At Large (2023)

Imperial Slave was formed by vocalist and former Sinate and 8 Foot Sativa drummer Sam Sheppard in 2020, with local Palmerston North musicians Anthony Hati (guitar), Isaac Lundy (guitar) and Achillies Manley (bass). Sam is well-known in Aotearoa, renowned for his...

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  • Neil Campbell – The Smoky God
    by Bob Mulvey on March 28, 2024 at 7:00 pm

    We need to travel back to 2013 to discover the origins of this latest release from Neil Campbell, and specifically the intriguing Bulbs project. The band released one album, On, which they launched as an hour long audio/visual event at…

  • Sydney Taieb – Atlantis Chronicles
    by Basil Francis on March 26, 2024 at 6:00 pm

    The Parisian aquatically-themed prog metal group Atlantis Chronicles was formed in 2010 and released their third album Nera in 2022. The group’s impressive musicianship stayed with reviewer Basil Francis who decided to seek out drummer Sydney Taieb for some more…

  • Jack Bruce – Smiles & Grins, Broadcast Sessions 1970-2001 [Remastered Boxset]
    by Graham Thomas on March 25, 2024 at 7:00 pm

    The word ‘legendary’ tends to get bandied around a little too freely, often applied to bands and artists who have merely managed to create a bit of a buzz! Well, the word is definitely warranted when discussing Jack Bruce. Travelling…

  • Sophie Tassignon – Khyal
    by Roger Trenwith on March 24, 2024 at 7:00 pm

    It is a while since I have listened repeatedly to an album in a foreign language where the lyrics are obviously central to the whole exercise remain a mystery to me, the singer’s voice becoming another instrument, but I suppose…

  • Franck Carducci & The Fantastic Squad / Stuckfish
    by David Edwards on March 23, 2024 at 7:00 pm

    Innisfree Sports & Social Club, Newcastle Saturday, 9th March 2024 It was certainly another great evening of driving, melodic prog rock in the North-East with Franck Carducci returning to the Innisfree Social Club, less than 7 months after their last…

  • Drifting Sun – Veil
    by Jane Lee on March 22, 2024 at 7:00 pm

    Drifting Sun have never flinched from staring into the heart of darkness; indeed they seem to relish it, and Veil, their latest offering, is no exception. It is a conceptually complex album, exploring such existential challenges as sin and betrayal,…

  • Mansoro – Everyday Fate
    by Peter Hilton on March 21, 2024 at 7:00 pm

    Marco Mansoro is a Brazilian multi-instrumentalist, in his own words, writing “songs that create a positive energy and cause a feeling of faith in the good things in life”. Everyday Fate is an instrumental album that was released via Bandcamp…

  • Van der Graaf Generator – Still Life [Remastered]
    by Basil Francis on March 20, 2024 at 6:00 pm

    Esoteric’s approach to reissuing albums on vinyl seems as canny as picking names out of a hat; it’s impossible to predict what they’ll choose next. With stablemates Van der Graaf Generator, Esoteric have selected two rather opposite entries from the…

  • Fusion 5: Day Three
    by The Progressive Aspect on March 19, 2024 at 6:00 pm

    The Civic Hall, Stourport Sunday, 3rd March 2024 MONKEY TRIAL (David Edwards) Day 3 started out in a soothing and chilled-out fashion with the ambient prog and electronica soundscapes of MONKEYTRIAL. I’ve seen them several times and always enjoy the…

  • Fusion 5: Day Two
    by The Progressive Aspect on March 18, 2024 at 7:00 pm

    The Civic Hall, Stourport Saturday, 2nd March 2024 RUBY DAWN (David Edwards) Carola Baer’s Ruby Dawn started proceedings wonderfully on Day 2 of Fusion 5 – with another captivating, dreamy and hypnotic set of prog and groove-led rhythm, focusing on…

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