Keith Tippett started working with Matthew Bourne in 2016, and between 2017 and 2019 they performed a series of two-piano concerts, which is remarkable given that Keith suffered a heart attack in 2018 and was generally unwell, dying in 2020. The majority of their concerts were recorded and this double album comprises a set of studio pieces recorded at Leeds Conservatoire alongside a live performance from Daylight Music at Union Chapel, London, which turned out to be Keith’s last public performance. There is no doubt that Tippet had a huge impact on the British jazz and improvisation scene, and even though he was not in the best health during these recordings his touch is still delicate as he and Bourne navigate their way around the music and each other.

Credit should be given to Bourne for convincing Tippett to keep playing, and taking short notice gig cancellations and changes in his stride, as from a purely musical aspect one would never think there was anything wrong, as they delicately beck and call, providing flashes of brilliance as they take the melodic lead or provide valued support. There is something special at play here, with space sitting alongside the two pianists to ensure its contribution is felt and not overlooked. This is not music to just listen to, but rather is music to fall inside, to let the musicians take us where they wish and while we do not know the destination or the way to get there, neither do they, but instead are also there for the ride. The final piece on this album is nearly 40 minutes long, with Tippett and Bourne very much in the moment and the crowd is perfectly quiet as they also understand they are witnessing a very special event indeed. This will not be to everyone’s tastes, but those who want their music to be more challenging yet also be melodic and interesting then this is for you.

Rating: 8/10

Links:
https://www.keithtippett.co.uk/
https://www.matthewbourne.com/
https://discus-music.co.uk/