by Kev Rowland | Jan 30, 2022 | Reviews
In 1973 I was 10 years old, and the highlight of my musical week was watching Top of the Pops on a Thursday night. Like every other boy my age this was the first time we saw the mop-haired leather-class bass player from Detroit, who had hit after hit with “Can the...
by Kev Rowland | Jan 30, 2022 | Reviews
Some albums are intense, some are incredibly hard work and only open up (sometimes, if at all) after a great many plays, and others will never be destined for mainstream radio play as there is nothing there to attract the masses. Then there are albums like this one,...
by Kev Rowland | Jan 30, 2022 | Reviews
Here we have the third album from Treppenwitz, recorded in a living room with no separation for the instruments, and there has been little undertaken in the way of post-production, so what you hear is what the musicians would have heard as they improvised together....
by Kev Rowland | Jan 30, 2022 | Reviews
Anyone who follows my writing will know that I am deeply in love with this series of albums from Anti-Corp, and feel it is one of the most important sets of releases there are. The concept is simple, instead of having the musician in the studio they are recorded...
by Kev Rowland | Jan 30, 2022 | Reviews
Badfinger are probably going to be remembered for several reasons, some good and some tragic, such as being the first non-Beatle act signed to label, writing, and recording the initial version of “Without You”, as well as having hits such as “Come and Get It”....
