By sheer perseverance and absolute luck , I landed on an online video of a piece from their previous debut album, recently released in September 2025. It was so good, I immediately purchased it on Bandcamp, as well as this November 2025. Why, may you ask? A multitude of conspirators united in getting me hooked on this new trouvaille, starting with the country of origin Poland, being an absolute well of incredible music in the past 40 years and still going strong. Secondly, my tastes have evolved very much into a definite zone of admiration for expressive bass guitar lines, faithfully adorned with terrific e-piano, organ and synths that come straight out of the instrumental jazz-rock, groove-fusion era of the late 60s and 70s (think Brian Auger, Booker T and the MGs and such) , all propulsed by a robustly-appointed beat factory. The energy is palpable, the passion overtly addictive and the mood positive and buoyant. If you are looking for depressive sonic compliance, listen away in another direction. The band is a trio (yup, no guitars) that favours a jumpy, organic, raw and yet plush style that could easily define the modern electro-jazz-disco-funk hybrid jam that one could enjoy with acts like Tobor Experiment, Bottazz!, London Underground, Project Gemini and surely many others yet to discover. Mind music one can dance to, tap fingers or feet uncontrollably and just smile along for the ride. Keyboardist extraordinaire Roman Wrobleski , bassist Orz and immaculate drummer Jacek Rezner combine to create real palpitating pieces that ooze class, sweat and brawn all in one groove.
One can easily snap their fingers to the cool Pacific Coast luxuriance on “California Plum Color”, a perfect introduction to their suave style, as described above, emitting a vintage vibe, not too far removed from those Ocean Eleven etc.. soundtracks. What makes this so compelling is the occasional twist in alterations, boldly inserting pools of effects and creative deflection to the highly melodic foundation. Roman’s fingers dance over the ivories with skill and inspiration yet rigidly protecting the rhythm divine groove at all times.
The similarly sized “Gradient 1” and “Gradient 2” for a one-two punch showcases the smoothness of tone and color, occasional swerves into hypnotic repetition that surely provides for bodily reactions to take place. Rezner’s manic drumming sits well with the plump bass lines that cast the needed spell. The buzzing cymbal work in particular is noteworthy, a sizzling shuffle that swats indifference away like flies, urging, pushing and leaning on the pulse courageously throughout. The sparkling e-piano not only offers melody but also a high energy percussive slant that keeps the juices flowing, like layers of sonic terraces one after the other.
The trio really keeps the pot boiling on the frothy “Antelope Color”, the focus openly targeting the synthesized electronics as they become overtly experimental in the background, Rezner pounding hard and fast, Wroblewski whipping out a leaping organ rant and the bass keeping it all neat and orderly in between. Fascinating ! “Summer End Color” was leaving a hot and sweaty realm, gently blowing into a cooler expanse, as if frigid Arctic squalls intended to relieve the heat. The warm speed slowly winds down to a reverential ending.
The highlight is revealed on the tow final pieces the “Oolong Color” clocking in at 4:39 and its extended 7:45 version, a dozen minutes of exuberant and expressive fusion of a substantial variety of stylistic categories that also includes ambient seagull screeches, a funk-jazz rhythmic palisade, and some grove-induces aural hallucinations, especially evident in the extended version, where there are some slight Ozric Tentacles sonorities (if one omits the psychedelic Ed Wynne guitar pirouettes) that keep the dreams alive. Orz and Rezner in particular revel in the electro-reggae shuffle, conjuring jungle fauna and flora images that feel like lotus leaves unfolding or giant mushrooms sprouting from the ground (artwork ideas for Roger Dean).
Another precious discovery I intend to cherish, as I simply adore this kind of music.
5 colour blinds