As one of the first Korean jazz composers to transplant herself from the comforts of Seoul to the New York city jazz scene, Hyeseon Hong emerged with her large ensemble performing at the turn of the century in now defunct clubs in the East Village. These early experiments in Korean jazz fusion eventually led to the creation of her 19-piece big band, which has since performed all over NYC from Birdland to the Jazz Gallery. Hong has provided all the compositions, and it is obvious from the outset as to just how much she has taken onboard the influences of her adopted country. However, it is where she allows her Korean roots to come through where she brings to life a new form of fusion.
Songs such “Memoirs of Ladies” are an absolute delight in that it is the perfect blending of two very different cultures in such a way that both are instantly recognisable yet here they combine in a manner which makes total sense as one part relies on the other for support and stability. This is one of the songs where veteran saxophonist Rich Perry (The Thad Jones/Mel Lewis Orchestra, Chet Baker, Paul Bley, Machito, Bob Moses, Jack McDuff, Billy Hart, Eddie Gómez, Tom Harrell etc.) has a major role, but that is also offset by some very oriental themes, delicate piano, wordless vocals and a big band swing which takes one back to the golden age. There is a wonderful freshness and lightness throughout which brings the big band to life, as Hong’s compositions and arrangements allow for plenty of space and delicacy within the bombastic sounds the orchestra can also provide. It has taken seven years since her last album, let us hope it is not as long for the next one.
Rating: 7/10
Links:
https://www.hyeseonhong.com/
https://pacificcoastjazz.com/
