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Gravethorn: Atrocitas (2024)

I admit it, I only grabbed this because I loved the cover but the more I listened to this the more I realised I had stumbled upon something really interesting. Formed in 2021 by Krystof (vocals, guitar, bass, keys) and Bob Hill (drums) they made a reputation for...

Greybeards: Out of the Red (2025)

Originally four schoolfriends came together for a one-off gig in Gävle, Sweden, but it went so well they kept playing and since then they have played gigs not only in Sweden but also in China, Germany, Belgium, the Netherlands, the UK, Slovenia, Poland, Palestine,...

Trash Panda & Lazuli Vane: Appalachian Seafoam (2024)

The band Trash Panda began in 2015 as the recording project of songwriter and multi-instrumentalist Patrick Taylor, gradually turning into a band. They have released some albums and average more than 100,000 streams on Spotify each month, but this album is just...

Liljevars Brann: Helja Kor (2024)

Here we have the debut album from Liljevars Brann, a black metal outfit formed by drummer Kristjan and singer/guitarist Sjelvindur, who also play together in Autumnblaze and Paragon of Beauty. Although it was recorded in eight weeks in 2021 it took until September...

Laird Jackson: Life (2024)

Jazz singer Laird Jackson released her debut album in 1994, her second in 2002 and this her third in 2024 so she is not one of the most prolific artists around, but has nothing to apologise about and says, “Life happened, I didn’t stop living. I travelled, I wrote, I...

Kings of Mercia: Battle Scars (2024)

When guitarist Jim Matheos (Fates Warning) made it known he was writing songs for a brand-new project, word got to English journalist Dave Ling, who put Matheos in touch with singer Steve Overland (FM). To complete the line-up the duo then recruited drummer Simon...

Gunhild Carling: Jazz Is My Lifestyle (2024)

Gunhild’s latest album is credited to Gunhild Carling’s Big Band with Strings. There are 20 musicians listed in the big band, six soloists and the strings are provided by the Prague Strings Chamber Orchestra. As for Gunhild herself, this is an album comprised of 100%...

Gunhild Carling: Good Evening Cats (2022)

Gunhild literally grew up surrounded by music as her father Hans formed The Carling Family Band in the 1980’s and they are still very active in the jazz scene today. She is a multi-instrumentalist and singer, and obviously still believes in keeping the family involved...

Drusuna: Beyond the Green Realm (2024)

I first came across Portuguese Pagan Folk outfit Drusuna back in 2020 when I reviewed one of their singles, but this is the first time I have come across an album: I said back then that it would be something worth hearing, and I love it when I am right. They were...

Fit for an Autopsy: The Nothing That Is (2024)

Here we have the seventh album from New Jersey deathcore outfit Fit For An Autopsy. They have had a remarkably stable line-up wit this being the third album to feature guitarists Pat Sheridan, Will Putney and Tim Howley, drummer Josean Orta, vocalist Joe Badolato, and...
Watain: Die in Fire – Live in Hell (2023)

Watain: Die in Fire – Live in Hell (2023)

To commemorate their 25th anniversary as a band, Swedish black metal collective Watain released this live album, recorded in Stockholm in October 2022, which is why it is subtitled ‘Agony And Ecstasy Over Stockholm’. The band have been incredibly stable over the...

Tom Portman: Daughter of the Willow Tree (2023)

Tom Portman: Daughter of the Willow Tree (2023)

Tom Portman is a multi-instrumentalist, songwriter, recording artist and composer based in the west of Ireland. He specializes in guitar, Dobro®, lap steel and other strings. Although he has released multiple other albums, this is the first time I have come across...

Just One Fix: Your Own God Now (2024) single

Just One Fix: Your Own God Now (2024) single

New Zealand’s answer to Testament are back with the second single from their forthcoming ‘Submit or Death’ EP, something which I am definitely looking forward to with bated breath. I have been fortunate enough to see these guys play a few times over the years and...

The Dukes of 1987: Retroderelict (2016)

The Dukes of 1987: Retroderelict (2016)

This 2016 album is another care of Jerry and Dave, with this album featuring the former only. From what I can ascertain, this was either a side project of The Lizardz or an attempt to break through using a different name as it includes all the members of that band in...

BIG BIG TRAIN (UK) The Likes of Us

I remember 20 years ago when I first bought a ticket on the Big Big Train, by purchasing “Gathering Speed”, a fantastic discovery that I had most positively reviewed a year later. The album garnered praise for its historical revisit of that seminal moment when the...

Necroticgorebeast: Repugnant (2023)

Necroticgorebeast: Repugnant (2023)

Due to being massively overloaded with material it has been quite some time since I have taken anything from Imperative PR, and I had forgotten just how much I enjoy their press releases. This one starts, “I am faceless and I am empty. You could fall into the hollow...

George Gee Swing Orchestra: Winter Wonderland (2023)

George Gee Swing Orchestra: Winter Wonderland (2023)

George Gee has been leading his own swing orchestra since 1980, and after returning to New York in the early Nineties secured a residency at Times Square’s SWING46 Jazz Club which is now in its 26th year. This album features ten Christmas songs which have been...

Freya: Fight As One (2023)

Freya: Fight As One (2023)

It is strange to think it is now 20 years since Freya burst onto the scene with ‘As The Light Drains’, but now they are back with their seventh full-length album, the first since 2016. Only singer Karl Buechner is still there from those early days, but Erick Edwards...

Dying Fetus: Make Them Beg For Death (2023)

Dying Fetus: Make Them Beg For Death (2023)

With a line-up which has been a constant since 2007, and a recording history which goes back 30 years to their first debut, there are no surprises when it comes to Dying Fetus who have long been straddling the death metal genre in their own distinct style. “We put our...

Helms Deep: Treacherous Ways (2023)

Helms Deep: Treacherous Ways (2023)

I know I speak for all reviewers in saying we get flooded with requests on a daily basis, and we can only take a small percentage of what we are offered, which means many “new” bands often get overlooked due to time. I saw the email come through, didn’t recognise the...

Dave Loveland: Dangerous Rhythm (2022)

Dave Loveland: Dangerous Rhythm (2022)

As soon as one starts listening to this album the time machine kicks in as what we have here is something which does not belong in the current music scene but instead takes us back to the early Sixties when British instrumental guitar groups were all the rage. Being...

Darrel Treece-Birch’s Atlantea: Choices (2023)

Darrel Treece-Birch’s Atlantea: Choices (2023)

Back in 2013 I was trawling the web one night and came across an album called ‘Celestial’ by Darrel Treece-Birch which seemed interesting, so I grabbed it and gave it a positive review. What I did not know was that Darrel at the time was not only keyboard player with...

Various Artists: 25 Anniversary of Odium Records (2023)

Various Artists: 25 Anniversary of Odium Records (2023)

Subtitled ‘Devoted to Devils Music’, this free sampler contains fifteen tracks from across the Odium Records roster to provide listeners with some insight into what the label owner likes to play when relaxing. Yes, this is black metal, and of all sub-genres it is one...

Bowmanville: Bowmanville (2022)

Bowmanville: Bowmanville (2022)

Here we have the debut album from jazz quintet Bowmanville, who comprise Ethan Adelsman (violin), Graham Nelson (vocals, harmonica), Mason Jiller (guitar) and Noah Plotkin (drums) along with bassists Oliver Horton and Ethan Philion who play on different tracks. Any...

Sadistic Force: Midnight Assassin (2023)

Sadistic Force: Midnight Assassin (2023)

Sadistic Force describe themselves as a blackened speed metal band who hail from Austin, Texas. Formed in 2020 by lead vocalist and guitarist, James Oliver, the band is completed by bassist Blaine Dismukes and drummer Jose Alcaraz. They say combine the subgenres of...

Autopsy: Ashes, Organs, Blood and Crypts (2023)

Autopsy: Ashes, Organs, Blood and Crypts (2023)

Looking over at my music DVDs I can see Autopsy’s ‘Dark Crusades’, a rough and raw set of cuts dating all the way back to 1988. Back when this was released in 2006, Autopsy were a band who had been replaced by Abscess, no-one ever daring to believe that one of the...

Imperial Slave:.​.​.​Still At Large (2023)

Imperial Slave:.​.​.​Still At Large (2023)

Imperial Slave was formed by vocalist and former Sinate and 8 Foot Sativa drummer Sam Sheppard in 2020, with local Palmerston North musicians Anthony Hati (guitar), Isaac Lundy (guitar) and Achillies Manley (bass). Sam is well-known in Aotearoa, renowned for his...

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  • Charlie Bramald – Ghost Of The Machine
    by Darren Walker on March 15, 2025 at 6:05 pm

    There are many ways to describe Charlie Bramald: but I will give it a go at doing him justice… A larger than life fun loving personality, dramatic vocals, striking stage presence along with powerful and evocative music writing skills, which…

  • Ghost Of The Machine / Dikajee
    by Darren Walker on March 15, 2025 at 6:00 pm

    The Corporation, Sheffield Sunday, 2nd March 2025 Empires Must Fall – Album Launch Being an inveterate scrounger I managed to get hold of an access all areas pass for the launch concert of Ghost of the Machine’s exceptional album Empires…

  • Tribe3 – Life Amongst Strangers
    by Leo Trimming on March 14, 2025 at 6:00 pm

    In 2023 Tribe3 came out of nowhere to give us their remarkable eponymous debut album, which was reviewed very positively by TPA’s now sadly departed Jez Rowden, the first reviewer to champion this band (and for whom they still hold…

  • Gayle Ellett & The Electromags – The Painted River Of Light
    by Graham Thomas on March 13, 2025 at 6:00 pm

    The Painted River of Light is the third album from Gayle Ellett & The Electromags, and something of a departure from the direction of the first two releases. Up until now, the music was very much a celebration of the…

  • Jon Anderson & The Band Geeks – Live: Perpetual Change
    by Alex Driessen on March 12, 2025 at 6:00 pm

    Anyone who regularly watches YouTube and is interested in Yes will no doubt have noticed the various videos of Jon Anderson in collaboration with the Band Geeks. Crystal clear versions of the beloved epic/iconic songs by the legendary singer and…

  • Remembering Jez…
    by The Progressive Aspect on March 10, 2025 at 11:00 am

    Hard to believe, but it is one year today that we lost our wonderful friend and colleague Jez Rowden. A truly witty and positive man who touched so many, and always with that heart-warming and infectious smile… As I attempt…

  • District 97 – Live For The Ending
    by Graham Thomas on March 8, 2025 at 6:00 pm

    One of the best things to come out of the US in recent years surely has to be District 97, and whilst their music has never been in the easy listening section of the prog shelf, their most recent studio…

  • Jethro Tull – Curious Ruminant
    by Magnus Moar on March 7, 2025 at 6:00 pm

    Whilst many of the great prog acts of the Seventies have become increasingly less prolific in their studio output over time, Ian Anderson and his band (since once more raising the banner of ‘Jethro Tull’) have released three studio albums…

  • Ghost Of The Machine – Empires Must Fall
    by Darren Walker on March 6, 2025 at 6:00 pm

    Although the Prog community tend to be a friendly and welcoming bunch I have found that all you have to do is speak to two of them and they will give you three definitions of what Prog is, or should…

  • Hats Off Gentlemen It’s Adequate – The Uncertainty Principle
    by David Edwards on March 4, 2025 at 6:00 pm

    A new release by Hats Off Gentlemen It’s Adequate is always something I look forward to. Malcolm Galloway and Mark Gatland are UK prog treasures, and their uniquely eclectic, genre-spanning take on contemporary progressive rock and art rock, is always…

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