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Neovenator: Songs From The End Of The Pier (2024)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Metsän Alttari: Metsän Alttari (2024)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Impellitteri: War Machine (2024)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Diego Amador & Jose Maria Bandera: Paqueando (2024)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Deadspace: The Dark Enlightenment (2024)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Dave Stryker: Stryker with Strings Goes to the Movies (2025)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Daria Kulesh: MotherLand (2025)
by Kev Rowland | March 25, 2025 | Reviews | 0 Comments
Gridfailure: When The Lights Go Out Vol. IV (2024)
by Kev Rowland | March 23, 2025 | Reviews | 0 Comments
Schëppe Siwen: Richtung Fraiheet (2024)
by Kev Rowland | March 23, 2025 | Reviews | 0 Comments
Pony Boy All-Star Big Band: This Is Now [Live At Boxley’s] (2024)
by Kev Rowland | March 23, 2025 | Reviews | 0 Comments

Jenny Mitchell: Tug of War (2022)
by Kev Rowland | Jul 30, 2022 | Reviews
At the beginning of 2021 I was fortunate enough to attend one of the most incredible festivals I have been lucky enough to go to, Auckland Folk. I came away with friendships and a wealth of new musical discoveries, one of which was this young lady from Gore. She was...

Velvet Arrow: Dark Was The Night …Song for Blind Willie Johnson (2022) single
by Kev Rowland | Jul 30, 2022 | Reviews
When I started work on my first book some eight years ago, I decided I was not going to listen to anything I was supposed to be reviewing during this period, and instead threw myself into the world of pre-war acoustic blues and Sixties electric blues. I made some...

Infinity Ritual: Infinity Ritual (2022)
by Kev Rowland | Jul 30, 2022 | Reviews
Here we have the debut EP from New Plymouth trio Adam Colless (guitars, vocals), Jason Karam (bass, vocals, mellotron) and Mark Thomas (drums and percussion). The four songs, 23 minutes in length, show a band who are bringing together groove metal with stoner,...

L.A. Guns: Cocked & Loaded Live (2021)
by Kev Rowland | Jul 30, 2022 | Reviews
I do not have the energy to describe in detail what has happened to L.A. Guns over the years, but there is now only one band legally allowed to use the name without having another name attached to it, and that is the one which features Tracii Guns and Phil Lewis (who...

Maartin Allcock: OX15 (1999)
by Kev Rowland | Jul 30, 2022 | Reviews
I first came across Maart when he was touring as part of Fairport Convention for the ‘Glady’s Leap’ tour, and during that period he was with the band, I saw them numerous times. I caught him a few times with Jethro Tull when he was keyboard player, interviewed him...

Anthrax: XL (2022)
by Kev Rowland | Jul 30, 2022 | Reviews
Due to their 40th anniversary being in the middle of a pandemic, Anthrax did what many other bands have done over the last few years which is play a gig without an audience and livestream it so fans could be involved. Since then, it has been released in multiple...

D E A D M A N ́ S E Y E S: III (2022)
by Geoff Penn | Jul 28, 2022 | Reviews
Label: Tonzonen Records: TON137 32:40mins Soulfood Music Psychedelic Rock and blues with tinges of Country https://deadmanseyes.com/ https://www.facebook.com/deadmanseyes Rating 85/100 From experience, any music released on the ‘Tonzonen’ label is always...

Masslands: It Doesn’t Matter Anymore (2022)
by Kev Rowland | Jul 23, 2022 | Reviews
Last month I reviewed the single Forget What You Heard from these guys, and now I have the four-track EP from which it was taken. {Masslands} started as a project between Jacob Tait of {Orphic Décor} (who I also recall reviewing last year) and Mason Blair of Highway...

Arrays: Patience Way (2022)
by Kev Rowland | Jul 23, 2022 | Reviews
JP Carroll (ex-{Armed in Advance}, {Swerve City}) is back with his latest album as Arrays, yet again proving what a talent he is as Patience Way takes us on a journey through different styles of melodic rock, often with buzzsaw guitars, and always with hooks and a...

Wills & Wills: Ain’t Seen The Likes Of You Before (2022)
by Kev Rowland | Jul 23, 2022 | Reviews
This trio is formed around singer/songwriters and father and son team Shayn (guitar, harmonica, viola, vocals) and Zephyr Wills (guitar, bass, vocal) along with Freddy Limbert (drums, vocals). Shayn is a well-established singer-songwriter and blues musician who has...

Ghost Merchants: Careless Ones (2022) single
by Kev Rowland | Jul 23, 2022 | Reviews
While the band name may be new, and this is their debut single, all three of the guys involved in this are no strangers to success in the NZ rock market as here we have a combination of drummer Nick Douch ({Ekko Park}) and multi-instrumentalists JP Carroll ({Swerve...

Journey: Freedom (2022)
by Kev Rowland | Jul 23, 2022 | Reviews
What with the number of challenges this band have been going through over the years, from line-up changes through to legal battles, I had long given up on expecting a new album from Journey, yet here we are with first new studio release since 2011’s ‘Eclipse’. Neal...

Grey Mouse: No Masks (2005)
by Kev Rowland | Jul 23, 2022 | Reviews
Grey Mouse is a Russian psychedelic/progressive rock band from Russia who were formed in Moscow in the late 90’s by bassist Alexey Chunikhin, who has remained the only constant part of the collective. They are now with the wonderful Addicted/No Name label, and all...

Grey Mouse: Blind & Ugly (2008)
by Kev Rowland | Jul 23, 2022 | Reviews
By the time Moscow’s Grey Mouse returned with their second album in 2008 they had changed guitarists, with Arseny Fedorov now in that role while Herman Aleshin guested on two tracks as well. In many ways it is difficult to realise this is the same band as while they...

Grey Mouse: Trip (2013)
by Kev Rowland | Jul 23, 2022 | Reviews
By the time Grey Mouse came back for their third album in 2013 there is no doubt they had been on quite a journey, but that is not the “trip” referred to in the title but instead is something of a rather more drug-induced nature. While the rhythm section of Alexey...

Grey Mouse: Animalism (2014)
by Kev Rowland | Jul 23, 2022 | Reviews
Even though Grey Mouse were back with their fourth album only a year after their previous one, of course there had been some line-up changes. This time they had added a second sitar player in Sergey Perehov and had dispensed totally with a full-time guitarist and...

Grey Mouse: A Moment of Weakness (2021)
by Kev Rowland | Jul 23, 2022 | Reviews
It took a long time for Grey Mouse to return with their next album, but in 2021 they released ‘A Moment of Weakness’ with yet another considerable twist in both line-up and style. Founder and bassist Alex Chunikhin is still there, also now adding guitar, while his...

Hardline: Heart, Mind and Soul (2021)
by Kev Rowland | Jul 23, 2022 | Reviews
Only two years after ‘Life’, Hardline returned with their seventh studio album “Heart, Mind and Soul’ with the same line-up of Johnny Gioeli (lead vocals), Alessandro Del Vecchio (keyboards, backing vocals), Anna Portalupi (bass), Mario Percudani (guitars) and Marco...
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WHAT”S GOIN’ ON
- Tony Colvill ~ RIPby The Progressive Aspect on April 8, 2025 at 4:38 pm
It is with great sadness that we have to tell you all that our TPA colleague and friend Tony Colvill sadly passed away in the early hours of Monday morning. A gentleman and a true character. Our thoughts are with…
- Jadisby Leo Trimming on April 7, 2025 at 5:00 pm
The 1865, Southampton Thursday, 27th March 2025 A packed 1865 venue in Southampton welcomed Jadis back to their ‘hometown’ gig and are treated to two sets of material of high quality melodic progressive rock from this rejuvenated class band. They…
- FUSION 6: Day Fourby The Progressive Aspect on April 6, 2025 at 6:00 pm
The Civic Hall, Stourport Sunday, 9th March 2025 THE BOOK OF REVELATIONS (Richard Swan) Day 3 of the wonderful Fusion Festival kicked off with The Book of Revelations. Another great decision by Steve Gould to get them in the billing…
- Ukrainian Opera & Ballet Theatre Kyivby Darren Walker on April 6, 2025 at 5:00 pm
Empire Theatre, Sunderland Monday, 17th March 2025 Ellen Kent: Opera & Ballet International presents Giuseppi Verdi’s La Traviata As a youth it wasn’t all trendy chart topping groups that filled my ears and, at the time, prog rock was something…
- FUSION 6: Day Threeby The Progressive Aspect on April 5, 2025 at 6:00 pm
The Civic Hall, Stourport Saturday, 8th March 2025 SPLINK (Richard Swan) What a joyous start to Day 2 of the Fusion Festival! With the 4-piece Splink, like me, Steve Gould (the promoter of this event that grows in stature every…
- Brendan Perkins – Stories From The Old Church Laneby John Giordano on April 5, 2025 at 5:00 pm
Every once in a while, a song or an artist comes along to capture your fancy in an unexpected way. Such is the case with Brendan Perkins’ latest offering, Stories From The Old Church Lane. Perkins was totally unknown to…
- FUSION 6: Days One & Twoby The Progressive Aspect on April 4, 2025 at 5:05 pm
The Civic Hall, Stourport Thursday, 6th & Friday, 7th March 2025 The popular and ever growing Fusion Festival was held at the beginning of March with attendees gathering from around the globe, such is the attraction of this excellent and…
- The Move – Message From The Country (Expanded Edition)by James R. Turner (Guest) on April 4, 2025 at 5:00 pm
This remastered reissue of the fourth and final The Move album is out now on Esoteric, completing their The Move remaster campaign, and remarkably, for the first time in the band’s history their entire released back catalogue is now available…
- Richard Larcombe – Lost Crownsby Roger Trenwith on April 3, 2025 at 5:05 pm
To tie in with the review of the new Lost Crowns album, The Heart Is In The Body, main man Richard Larcombe and I met up at the Restaurant At The End Of The Universe for a virtual lunch, and…
- Lost Crowns – The Heart Is In The Bodyby Roger Trenwith on April 3, 2025 at 5:00 pm
Roger (R) – It falls upon me to guide our readers through the downuplands of this strange weather, otherwise known as The Heart Is In The Body, the new exercise in aural semaphore emanating from behind Richard Larcombe’s excitable brow…