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Echolyn: TimeSilentRadio II (2025)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Echolyn: TimeSilentRadio VII (2025)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Neverland Ranch Davidians: Shout It On The Mountain (2025)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Myrholt: Blandede Meninger Og Aforismer (2024)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Mefitis: The Skorian // The Greyleer (2024)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Liz Cole: I Want to Be Happy (2025)
by Kev Rowland | May 18, 2025 | Reviews | 0 Comments
Kir: L’appel Du Vide (2024)
by Kev Rowland | May 17, 2025 | Reviews | 0 Comments
Kent Nielsen: Too Many Train Rides (2025)
by Kev Rowland | May 17, 2025 | Reviews | 0 Comments
Joe Syrian Motor City Jazz Octet: Secret Message (2024)
by Kev Rowland | April 13, 2025 | Reviews | 0 Comments
Khors: Letters To The Future Self (2024)
by Kev Rowland | April 13, 2025 | Reviews | 0 Comments

The After: Doesn’t Matter (2022) single
by Kev Rowland | Feb 6, 2022 | Reviews
Andrew Featherstone has been a mainstay of the New Zealand music scene for years, running his label/studio Intergalactic Records while for more than 25 years he has been running Battle of the Bands in NZ, as well as launching it internationally. If that wasn’t enough,...

Bevan Mical: This Year/Resolutions (2022)
by Kev Rowland | Feb 6, 2022 | Reviews
Thames-based lo-fi alternative indie pop musician {Bevan Mical} is back with his first single since last year’s Exhausting The Muse album. That was his third album, and following on from the success of that, he is bringing us into 2022 with a song of hope. “Maybe this...

End Boss: Punished (2022) single
by Kev Rowland | Feb 6, 2022 | Reviews
Lisa (MNNZ) sent me a YouTube link one day and said, “Have you heard this?”. I was shortly getting back to her saying no I hadn’t but was going to contact the band directly as I could not quite believe what I was hearing. A short while later I was talking with Nathan...

Stephen Riddell: Acapella (2021)
by Kev Rowland | Feb 6, 2022 | Reviews
Performing with no instruments or studio trickery to hide behind is not for the fainthearted, so probably it of little surprise that it is unusual to find solo artists willing to put themselves out there like that. Possibly the one form of “popular” music where it can...

Gary Hughes: Decades (2021)
by Kev Rowland | Feb 6, 2022 | Reviews
To tie in with Gary’s new solo album, ‘Waterside’, Frontiers Music have also released a compilation which looks back at his career outside Ten. Newly remastered format, here we have numbers taken from his albums ‘Precious Ones’, ‘Veritas’, ‘Once and Future Kings Parts...

Gary Hughes: Waterside (2021)
by Kev Rowland | Feb 6, 2022 | Reviews
‘Waterside’ is Gary’s first solo album since 2007’s ‘Veritas’ and shows him taking on a lighter side of melodic rock than he undertakes with Ten. It is not totally removed though, and it commences with “All At Once It Feels Like I Believe” and some lovely piano from...

Jeff Loops: The Magnolia Sessions (2021)
by Kev Rowland | Feb 6, 2022 | Reviews
Here we have the seventh in what is undoubtedly one of the most important series for anyone into Americana folk or bluegrass. For me, each album is a way into a world of which I have little knowledge or understanding, as generally I have never previously come across...

Jo Beth Young: Brigid (2022) single
by Kev Rowland | Feb 6, 2022 | Reviews
Anyone who follows my writings will know how much I love singer Jo Beth Young, who over the last few years has continued to grow and expand her repertoire. The first single from her album ‘Broken Spells’, which should be out later this year, shows her looking back to...

Amulet –House of Black & White (2022)
by Geoff Penn | Feb 2, 2022 | Reviews
US Band from Washington DC 72 mins amulettheband.com https://www.facebook.com/amulettheband Rating 80/100 An Observation, if only based on the dark mysterious (yet very pretty) appearance of lead singer ‘Stephanie Stryker, of Washington DC-based band ‘Amulet’. One...

Suzi Quatro: The Devil In Me (2021)
by Kev Rowland | Jan 30, 2022 | Reviews
In 1973 I was 10 years old, and the highlight of my musical week was watching Top of the Pops on a Thursday night. Like every other boy my age this was the first time we saw the mop-haired leather-class bass player from Detroit, who had hit after hit with “Can the...

Sam Loveridge Band: Recovery (2022)
by Kev Rowland | Jan 30, 2022 | Reviews
Some albums are intense, some are incredibly hard work and only open up (sometimes, if at all) after a great many plays, and others will never be destined for mainstream radio play as there is nothing there to attract the masses. Then there are albums like this one,...

Treppenwitz: Sister in Kith (2021)
by Kev Rowland | Jan 30, 2022 | Reviews
Here we have the third album from Treppenwitz, recorded in a living room with no separation for the instruments, and there has been little undertaken in the way of post-production, so what you hear is what the musicians would have heard as they improvised together....

Angela Autumn: The Magnolia Sessions (2021)
by Kev Rowland | Jan 30, 2022 | Reviews
Anyone who follows my writing will know that I am deeply in love with this series of albums from Anti-Corp, and feel it is one of the most important sets of releases there are. The concept is simple, instead of having the musician in the studio they are recorded...

Badfinger: No Matter What – Revisiting the Hits (2021)
by Kev Rowland | Jan 30, 2022 | Reviews
Badfinger are probably going to be remembered for several reasons, some good and some tragic, such as being the first non-Beatle act signed to label, writing, and recording the initial version of “Without You”, as well as having hits such as “Come and Get It”....

Enforcer: Live by Fire II (2021)
by Kev Rowland | Jan 30, 2022 | Reviews
It is safe to say I was not a fan of Enforcer’s studio album released just prior to this live album being recorded, ‘Zenith’, but I must say the live album is much more enjoyable, even though it is way too tongue in cheek. Imagine Spinal Tap, Steel Panther, Raven and...

Craft –First Signs (2022 Re-release of 1984 album )
by Geoff Penn | Jan 27, 2022 | Reviews
Glass Onyon CD 45.46 mins https://www.discogs.com/master/431401-Craft-Craft www.glassoyon/facebook Rating 75/100 The Enid could be considered to be a band almost 90% or more classical music orientated. In fact, tending so far towards the right, that for some...

Road Trip –Merry Go Round (2022)
by Geoff Penn | Jan 26, 2022 | Reviews
‘Dave Hulatt’ UK Artist From Stoke On Trent Solid Air Music Progressive Rock Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC. 53:38mins Merry Go Round | Road Trip (bandcamp.com) Road Trip | Facebook Rating 85/100 ‘Dave...

Sandy McKnight: San Fernando Blitz (2021)
by Kev Rowland | Jan 23, 2022 | Reviews
Following from the success of the ‘San Fernando Beat’ EP, Perdomo (guitar, drums, keyboards) and McKnight (bass, vocals) are back with their second set of six songs. This is yet another power pop rock out and it is almost as if time stopped in LA back in the early...
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WHAT”S GOIN’ ON
- Hedvig Mollestad Trio – Bees In the Bonnetby Roger Trenwith on May 26, 2025 at 5:00 pm
With their eighth album, Hedvig Mollestad Trio are back, and then some! After a few highly appealing diversions under her own name, Hedvig is back firing out her nonconformist guitar shapes while leading her esteemed Trio further down their highly…
- Steven Wilsonby Alex Driessen on May 26, 2025 at 12:00 pm
The Palladium, London Tuesday, 13th May 2025 Steven Wilson is back and touring, which was announced around the time of the release of his latest solo album The Overview. The tour, which will not end until November, takes the ‘little…
- Jocelyn Pettit & Ellen Gira with Miguel Girãoby Bob Mulvey on May 25, 2025 at 5:00 pm
St George’s Church, Hartlepool Saturday, 17th May 2025 It had been slightly longer than I remembered since I last visited St George’s in Hartlepool, and on that occasion it was to see the superb Dave Bainbridge & Sally Minnear in…
- Stuckfish / EBB / John Hackett Band / Heather Findlayby David Edwards on May 24, 2025 at 5:00 pm
Cluny 1 & 2, Ouseburn, Newcastle Saturday, 10th May 2025 PROG ON THE TYNE The Cluny music venue in bohemian Ouseburn in Newcastle-upon-Tyne, was the setting for a thoroughly enjoyable day of modern progressive rock in the North-East of the…
- Cosmograf – The Orphan Epochby John Giordano on May 23, 2025 at 5:00 pm
Cosmograf’s newest release, The Orphan Epoch, is a departure from past efforts. Rather than the usual concept album, the songs are loosely connected by themes of nonconformity and choosing to find one’s own path in life. Says mastermind Robin Armstrong,…
- Panzerballett – Übercode Œuvreby Basil Francis on May 22, 2025 at 5:00 pm
There was a time when I was drawn to bands with outstanding technical ability such a Rush and Dream Theater; these bands that helped me to discover just how cool music could sound in odd time signatures with densely choreographed…
- Greenslade – Large Afternoon (Expanded 2CD Edition)by Kevin Thompson on May 21, 2025 at 5:00 pm
Let’s start by admitting I have personal history with this album having been initially commissioned to do the cover art for Large Afternoon, only to be unceremoniously dropped by the record company and replaced by what appears to be a…
- Pink Floyd At Pompeii – MCMLXXIIby Alex Driessen on May 19, 2025 at 5:00 pm
Kino Film Theater, Rotterdam [NL] Thursday, 24th April 2025 Sony Music announced back in February of this year the newly restored version: Pink Floyd at Pompeii – MCMLXXII, a revisiting the groundbreaking 1972 film directed by Adrian Maben would be…
- Magic Pie – Maestroby John Giordano on May 16, 2025 at 5:00 pm
When Magic Pie made their American debut at ROSfest on 30th April 2006, they led off with the epic Change from their first album, Motions Of Desire. Their reasoning, as they later explained, was that they were fearful that the…
- Steven Wilsonby Rob Fisher on May 14, 2025 at 5:00 pm
The Palladium, London Monday, 12th May 2025 Some Reflections Hell hath no fury than a woman scorned. True. But a man who has parted with 70 notes for a gig he leaves halfway through isn’t too far behind! After 46…