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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...
John Paul McGee: A Gospejazzical Christmas (2023)

John Paul McGee: A Gospejazzical Christmas (2023)

I’d rather not think of myself as being so far behind on reviewing that this is for a Christmas record which should have been written about in 2023, but rather that I am eight months early for 2024. Here we find John Paul McGee (or should I say Dr. McGee given he is...

Gridfailure:  Shards In The Wire (2023)

Gridfailure: Shards In The Wire (2023)

I’ve lost track of how many of Dave Brenner’s releases I have reviewed, but it must be most of them (at least in recent years) yet I still find myself stupidly excited when there is a new one to delve into. This 7-track release (currently available on Bandcamp for...

Grant Haua: Mana Blues (2023)

Grant Haua: Mana Blues (2023)

A few years ago I came across Grant Haua and I was blown away by the Maori bluesman who for me is the living epitome of the classic style. His last album, the mighty ‘Tahanga’ found Grant with his trusty acoustic as he recorded a livestream for Rolling Stone France....

ECHOES (EIRE-FRANCE) Part.1

ECHOES (EIRE-FRANCE) Part 1Vocalist, lyricist, and composer James McGregor is an Irish nomad who seems to be travelling a bit around Europe lately, from Dublin, London, and Berlin, with an interesting stop in Southern France (aka paradise) where he attended a concert...

ROB HARRISON (UK) Explode My Head

Debut offering from this talented musician, composer, and producer, pretty much a one-man show with a lot of help from various friends, namely Gong’s flutist Ian East. A wide diversity of stimulating influences permeate this work, anywhere from Penguin Café Orchestra,...

MARCO GLÜHMANN (GERMANY) A Fragile Present

Can there by a finer voice currently in the prog scene than Sylvan ‘s lead lung? Besides the impeccable technique, he also is arguably one of the most recognizable vocalists in any genre, with a unique style whereby he ‘squeezes’ out harmonic vowels with a mini delay...

JOHN HOLDEN (UK) Proximity & Chance

Since 2018, this composer and multi-instrumentalist has not only been consistently delivering standout albums that I am proud to possess and review, all very highly rated but also because the recipe ingredients and manpower invited happen to vary from album to album....

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