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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...

RETURNED TO THE EARTH (UK) Stalagmite Steeple

The previous album “Fall of the Watcher” released in 2022 made my heart flutter so deeply that an EKG was not necessary in determining the workings of my arteries. So, what… I fell in love again! That is what romantic progressive ‘pop’ music can do to the melancholic...

OCEANS OF NIGHT (USA) Mindstorm

When discovering rock back in the very early 70s as a teenager, the exploding hormones certainly found a haven within loud and crunchy power riffs, being raised on Deep Purple, Sabbath, and Led Zep, to name only the obvious. Yes, banging heads was fun and more...

CELESTE (ITALY) Echi di un Future Passato

Two words to start: flute and mellotron. If for whatever odd reason, these two instruments are not among your favourites, please stop reading promptly. Phew, now that we got that out of the way, Celeste will always be remembered for their luminous 1976 debut album...

VIOLENT JASPER (GERMANY) Control

The much-vaunted German group Sylvan decide to go on a mini-sabbatical, subsequent to releasing their latest album, “One to Zero” in 2021, a masterful album of the highest order. Longtime keyboardist Volker Soehl and guitarist Johnny Beck decided to launch a new...

AGE OF DISTRACTION (UK) A Game of Whispers

Connections, connections, connections. The progressive rock community’s greatest attribute is how closely linked everyone seems to be, with geography being no longer an issue. New projects seem to blossom organically, as a simple e-mail or text can germinate into a...

CRISTIANO VARISCO (BRAZIL) Aline

There is nothing more enjoyable for the Rogue than receiving review requests from artists around the world, who invariably deserve very much to be heard and, in most cases, applauded for their talent, often far removed from the ultra-packaged, hyper-polished fluff of...

ANDROID (HUNGARY) Wordless Scriptum

I am totally proud of being a huge fan of this Hungarian band since their East of Eden debut in 2009 , not because we share the same language and culture but mainly because they have progressed over the years, not only constantly fine tuning their craft but also for...

RIVERSEND (USA) same

What makes the perpetual search for a new source of musical pleasure such a thrill, is when you land on something with zero background, or any kind of advance notice. Such is my chance meeting on an innocuously dull day with Riversend, absently surfing the proggier...

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  • John Holden – Thresholds
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  • Nene Valley Rock Festival 2026 – Day One
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  • Various Artists – We Are The Beautiful: Two Decades Of Shoegaze 1991-2011
    by John Giordano on September 29, 2026 at 4:00 pm

    As mentioned in another recent review, I’m particularly fond of box sets that cover a scene as opposed to an artist. Because my familiarity with shoegaze is spotty at best, I thought that the We Are The Beautiful compilation would…

  • Celeste – Prince Of One Day
    by Basil Francis on September 28, 2026 at 4:00 pm

    The progressive scene in Italy took slightly longer to catch on than it did in the UK, with PFM and Banco’s stunning debuts and sophomores only showing up in 1972, by the time Yes and many other British groups had…

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