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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...
Douglas Francisco: The Magnolia Sessions (2022)

Douglas Francisco: The Magnolia Sessions (2022)

Most of the sessions recorded under the magnolia tree at the Anti-Corporate Music/Black Matter Mastering headquarters in Nashville, Tennessee, by owner Dan Emery are individual artists or duos, but here we have a trio. Douglas Francisco provides steel guitar...

Brawler N.Z.H.C.: Hard Truths (2023)

Brawler N.Z.H.C.: Hard Truths (2023)

Over the last 12 months I have been fortunate enough to catch Hamilton hardcore outfit Brawler N.Z.H.C. a few times, and although I have always been a little concerned that singer Joe Steiner is going to pass out before he finally removes the balaclava, I always know...

Shepherd’s Reign: Ua Masa’a (2023) single

Shepherd’s Reign: Ua Masa’a (2023) single

When it comes to different cultures and music there is no doubt we are incredibly blessed in Aotearoa, and surely anyone into metal, wherever they are in the world, are aware of Alien Weaponry and the way they blend groove metal and their Maori roots. However, what...

House of Shakira: Lint XXV (1997)

House of Shakira: Lint XXV (1997)

When I saw this turn up I had a massive smile on my face, and was originally transported back to producing Feedback using an electronic typewriter as I reviewed this album when it first came out in 1997, and now here it is back again! This was the debut release from...

Jade Brodie: The Magnolia Sessions (2022)

Jade Brodie: The Magnolia Sessions (2022)

As with the vast majority of releases in this series, the artist is unknown to me, but I know I will be keeping an eye out for the name Jade Brodie in future as this is a delight from beginning to end. Her style is country, with some smattering of bluegrass and alt...

John Mayall: Road Show Blues (1981)

John Mayall: Road Show Blues (1981)

Originally released in 1981, this album was reissued in 2022 on vinyl by Cleopatra, and it is wonderful to have the opportunity to hear it. When it comes to British blues there are few who have the reputation of this man, yet as well as being behind one of the most...

Sabreen Islam: Room Service (2023)

Sabreen Islam: Room Service (2023)

Although Sabreen is young, and is currently studying at the University of Auckland, she has been involved in the arts for some time, both in music and poetry and performed at The Others Way Festival as far back as 2018. To date she has released a few singles, the most...

Behemoth: Opvs Contra Natvram (2022)

Behemoth: Opvs Contra Natvram (2022)

I enjoyed Behemoth’s last studio album, 2018’s ‘I Loved You At Your Darkest’, but did not exactly warrant it as essential, while I was also not exactly gushing about their more recent live ‘In Absentia Dei’, so what would I think of the latest effort? With a Latin...

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