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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...
Demons of Noon: Sphere of Peace (2022) single

Demons of Noon: Sphere of Peace (2022) single

I first came across Demons of Noon when they opened for the mighty {Beastwars} at Power Station last year, and I came away very impressed indeed by raw sludge-driven doom, and also noted that when they had two female singers come on stage for the last few songs the...

Skank Bandit: Am I The Master? (2022) single

Skank Bandit: Am I The Master? (2022) single

The latest single from New Plymouth outfit Skank Bandit explores themes of doubt, self-belief, and self-control, promoting awareness of the risks of drink driving and challenging people to take responsibility for their actions and choices in life. It is an unusual...

Devils Elbow: Riverlands (2022)

Devils Elbow: Riverlands (2022)

It has been quite a while since we last heard from Hawkes Bay trio Devils Elbow, but here they are back with their latest EP. One thing which is interesting to note is that only Alec Withers (vocals, guitars, percussion) plays on all four tracks, while the threesome...

Sounds Escape: Voices (2022)

Sounds Escape: Voices (2022)

Sounds Escape is a new project by multi-instrumentalist Logan Wedgwood, with Voices being the debut release. This six-track 30-minute-long instrumental album was conceived during the first Auckland lockdown when Logan discovered he and his wife were not coping well...

Finger Tight: Messages from the End of the World (2022)

Finger Tight: Messages from the End of the World (2022)

In June of last year I made my way to Wine Cellar to see {Melanie} for the first time, and one of the bands on the bill that night were {Finger Tight}, and when I reviewed them I said “I was extremely impressed by the end and found it hard to believe this is just...

Blindspott: Pretty Violent (2022) single

Blindspott: Pretty Violent (2022) single

What can you say about {BLindspott} which hasn’t already been said? When it comes to metal icons from NZ, there are few who exist in the same rarefied atmosphere as these guys, and when I saw them play recently there was no doubt they were among friends who knew all...

Stonehurst: Whispers (2022) single

Stonehurst: Whispers (2022) single

Don’t let the first ten seconds of the latest single from Christchurch outfit Stonehurst lull you into a false sense of security. Admittedly, I was staring at the speakers trying to work out what was going on and equate the sounds with the band I saw play last year...

Impostor Syndrome: Oriens (2022)

Impostor Syndrome: Oriens (2022)

Impostor Syndrome is an experimental recording project based in Auckland, New Zealand. Becoming best of friends as seventeen-year-olds over a shared love of Alice in Chains, it took until 2019 before vocalist Ryan Culleton, drummer Scott Nicolson and...

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  • Kraanerg – Aria For Labellum Tongues
    by Graham Thomas on October 7, 2026 at 4:00 pm

    Kraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…

  • Marillion
    by Rob Fisher on October 5, 2026 at 4:00 pm

    Eventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…

  • Spratleys | Panixphere
    by Dann Chinn (Guest) on October 4, 2026 at 4:00 pm

    The Garage, Islington, London Friday, 11th September 2026 PANIXPHERE Panixphere have been around for almost as long as Bic Hayes has. It’s just that they’ve been almost terminally intermittent. Over the years, they’ve taken a back seat or a mothballed…

  • Big Big Train
    by Leo Trimming on October 3, 2026 at 4:00 pm

    Komedia, Bath Sunday, 27 September 2026 Big Big Train have been rolling down the tracks as a live outfit since their remarkable 2015 Kings Place gigs, followed passionately by their ‘Passenger’ fans. In 2026 Big Big Train have been carving…

  • John Holden – Thresholds
    by Jane Lee on October 2, 2026 at 4:00 pm

    Throughout our lifespan we are constantly transforming. Some of these changes are voluntary while others are forced upon us by circumstance, but after they have occurred we are not quite the same person as before. And as we approach the…

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