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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...
Lorenzo Vichi: Anima (2022)

Lorenzo Vichi: Anima (2022)

This 13-minute-long 3-track instrumental album is by Lorenzo Vichi, an Italian who now lives in Aotearoa. Everything we hear on the EP was written, arranged, recorded, mixed, produced and edited by Lorenzo who decided to record and produce this EP by himself to...

Villainy: The Launch (2022) single

Villainy: The Launch (2022) single

I was chatting with singer/guitarist Neill Fraser at a gig recently, and we agreed that the acoustic style gig they did with Dead Favours earlier in the year was fun, but we were both looking forward to having Villainy back on a rock stage. The quartet (which is...

Broke: Through Her Eyes (2022) single

Broke: Through Her Eyes (2022) single

When Lisa sent me this, she said to me that Broke reminded her of The Rabble. Now, although I am playing rapid catchup on NZ bands, that is a band I know as they were connected with Orewa College and one of my daughters even wrote and recorded a song with Chas. I saw...

Raven: Leave ‘Em Bleeding (2022)

Raven: Leave ‘Em Bleeding (2022)

There are few labels as important to metal as Neat Records, whose third release was Tygers of Pan Tang’s hugely influential “Don’t Touch Me There”. I saw them support Saxon on the Wheels of Steel tour, and like many teenagers I was soon sending cheques and postal...

Sun King Rising: Signs & Wonders (2022)

Sun King Rising: Signs & Wonders (2022)

When I reviewed John Blangero’s debut album as Sun King Rising, I said it would undoubtedly raise his profile within the music scene, which is exactly what happened. Now here he is back with the follow-up, and yet again we are taken on a journey with a pianist and...

Glasshouse Keepers: Scratching the Surface (2022)

Glasshouse Keepers: Scratching the Surface (2022)

I was at a gig last week, and was really intrigued by the opening act, Glasshouse Keepers, very much enjoying their complex rock sound with female lead vocals, so when I realised they had released a four-track EP earlier this year I knew I had to check it out. The...

Amanaki: Leech (2022) single

Amanaki: Leech (2022) single

I had to smile when I saw this single, as while melodic hardcore outfit Amanaki is new to me, on this release they have a guest in the form of Luke Manson, who I have seen in both Antagonist AD and Xile in recent weeks. Punchy, fast, and hard-hitting, Leech has an...

Volts: When You Go (2022) single

Volts: When You Go (2022) single

Last month a gig I was planning to attend fell through, so I looked around and ended up going to Wine Cellar, where the headline band that night was a group from Christchurch I had not previously come across, Volts. Their combination of melodic classic rock with...

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  • Kraanerg – Aria For Labellum Tongues
    by Graham Thomas on October 7, 2026 at 4:00 pm

    Kraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…

  • Marillion
    by Rob Fisher on October 5, 2026 at 4:00 pm

    Eventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…

  • Spratleys | Panixphere
    by Dann Chinn (Guest) on October 4, 2026 at 4:00 pm

    The Garage, Islington, London Friday, 11th September 2026 PANIXPHERE Panixphere have been around for almost as long as Bic Hayes has. It’s just that they’ve been almost terminally intermittent. Over the years, they’ve taken a back seat or a mothballed…

  • Big Big Train
    by Leo Trimming on October 3, 2026 at 4:00 pm

    Komedia, Bath Sunday, 27 September 2026 Big Big Train have been rolling down the tracks as a live outfit since their remarkable 2015 Kings Place gigs, followed passionately by their ‘Passenger’ fans. In 2026 Big Big Train have been carving…

  • John Holden – Thresholds
    by Jane Lee on October 2, 2026 at 4:00 pm

    Throughout our lifespan we are constantly transforming. Some of these changes are voluntary while others are forced upon us by circumstance, but after they have occurred we are not quite the same person as before. And as we approach the…

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