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The Hill Country Devil: The Magnolia Sessions (2021)
Here we have another album in what to my ears is one of the most essential series of recordings ever captured. For those who have somehow managed to miss my reviews so far, the concept behind this is really simple. Label boss and recording engineer Dan Emery invites a...
Johannes Luley: Follow Your Heart (2022)
I first became aware of Johannes more than ten years ago when he sent me the Moth Vellum album to review. Since then, I have followed his career with interest, both in Perfect Beings and solo, and I was somewhat intrigued to discover he was releasing a new album, but...
In The Shallows: The Undercovers Part 1 (2022)
A few months back I was fortunate enough to catch up once again with one of my very favourite duos, Danni Parsons and Lance Shepherd, otherwise known as In The Shallows. That night they were joined by bassist Andy Bain of the mighty Fur Patrol, and while they...
Dub Asylum: Beg, Steel or Borrow (2022)
I have no idea who many albums I have reviewed over the last 35 years, but it is countless thousands, while the words written are well into the millions, but I must confess this is the first time I have ever been asked to review an album where steel drums are the main...
Jaqualyn Taimana Williams: In Between (2022) single
In Between is the third single from the upcoming 2023 EP Guns Of Dialogue, but is the first time I have personally come across Jaqualyn Taimana Williams. As with her debut album she has been working with producer Tim Sneddon and Chris Chetland, and when I read that I...
Gridfailure & Megalophobe: Harbinger Winds (2022)
Here we have the third collaboration between Gridfailure’s David Brenner and Megalophobe’s Benjamin Levitt who between them contribute a wide array of instruments including vocals, guitars and basses, keys and synth, drums and percussion, accordion, theremin, cello,...
Personal Igloo: Old Me (2022) single
Personal Igloo is the solo project of Auckland based song writer/producer, Hamish Nixon, which brings together soul and pop with some raspy vocals and a love for bands such as Kings of Leon. Old Me is the first track from his forthcoming second EP, which will be out...
Felix Danilo: The Territories West (2022)
The latest album by Felix Danilo finds him exploring different musical textures where the main (and often only) instrument is a multi-layered guitar full of reverb. Although the album is mostly instrumental, he is joined by singer Kayla McGee one song, and by his...
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- Kraanerg – Aria For Labellum Tongues
by Graham Thomas on October 7, 2026 at 4:00 pmKraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…
- Marillion
by Rob Fisher on October 5, 2026 at 4:00 pmEventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…
- Spratleys | Panixphere
by Dann Chinn (Guest) on October 4, 2026 at 4:00 pmThe Garage, Islington, London Friday, 11th September 2026 PANIXPHERE Panixphere have been around for almost as long as Bic Hayes has. It’s just that they’ve been almost terminally intermittent. Over the years, they’ve taken a back seat or a mothballed…
- Big Big Train
by Leo Trimming on October 3, 2026 at 4:00 pmKomedia, Bath Sunday, 27 September 2026 Big Big Train have been rolling down the tracks as a live outfit since their remarkable 2015 Kings Place gigs, followed passionately by their ‘Passenger’ fans. In 2026 Big Big Train have been carving…
- John Holden – Thresholdsby Jane Lee on October 2, 2026 at 4:00 pm
Throughout our lifespan we are constantly transforming. Some of these changes are voluntary while others are forced upon us by circumstance, but after they have occurred we are not quite the same person as before. And as we approach the…
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