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Melanie: ABCD (2022)
Since releasing their debut EP back in 2018, Auckland pop/punk outfit {Melanie} have been making quite a name for themselves in the old-fashioned way of doing things, namely playing anywhere and everywhere, and having total belief in themselves and their music. When I...
Fathom: The World to Breathe (2022)
I have often said, that to me the purest form of music is when a musician is performing acoustically, with no effects whatsoever, just stood on the stage with no room to hide. There is nothing then between the artist and the listener, just their voice and the...
The After: Doesn’t Matter (2022) single
Andrew Featherstone has been a mainstay of the New Zealand music scene for years, running his label/studio Intergalactic Records while for more than 25 years he has been running Battle of the Bands in NZ, as well as launching it internationally. If that wasn’t enough,...
Bevan Mical: This Year/Resolutions (2022)
Thames-based lo-fi alternative indie pop musician {Bevan Mical} is back with his first single since last year’s Exhausting The Muse album. That was his third album, and following on from the success of that, he is bringing us into 2022 with a song of hope. “Maybe this...
End Boss: Punished (2022) single
Lisa (MNNZ) sent me a YouTube link one day and said, “Have you heard this?”. I was shortly getting back to her saying no I hadn’t but was going to contact the band directly as I could not quite believe what I was hearing. A short while later I was talking with Nathan...
Stephen Riddell: Acapella (2021)
Performing with no instruments or studio trickery to hide behind is not for the fainthearted, so probably it of little surprise that it is unusual to find solo artists willing to put themselves out there like that. Possibly the one form of “popular” music where it can...
Gary Hughes: Decades (2021)
To tie in with Gary’s new solo album, ‘Waterside’, Frontiers Music have also released a compilation which looks back at his career outside Ten. Newly remastered format, here we have numbers taken from his albums ‘Precious Ones’, ‘Veritas’, ‘Once and Future Kings Parts...
Gary Hughes: Waterside (2021)
‘Waterside’ is Gary’s first solo album since 2007’s ‘Veritas’ and shows him taking on a lighter side of melodic rock than he undertakes with Ten. It is not totally removed though, and it commences with “All At Once It Feels Like I Believe” and some lovely piano from...
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WHAT”S GOIN’ ON
- The Pineapple Thief – Far And Wide
by Peter Hilton on October 9, 2026 at 4:00 pmIn the infancy of the internet era there were dial-up / email service providers, including my chosen supplier AOL. What has this got to do with The Pineapple Thief (TPT), you ask? Bear with me for a few paragraphs and…
- Nick Fletcher – An Unfolding Of Miracles
by Darren Walker on October 8, 2026 at 4:00 pmI am friends with many musicians, predominantly Prog, but a few who create music for less cultured tastes and most of them struggle to record and put out new material. Invariably they have day jobs, families and other things on…
- Kraanerg – Aria For Labellum Tongues
by Graham Thomas on October 7, 2026 at 4:00 pmKraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…
- Marillion
by Rob Fisher on October 5, 2026 at 4:00 pmEventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…
- Spratleys | Panixphere
by Dann Chinn (Guest) on October 4, 2026 at 4:00 pmThe Garage, Islington, London Friday, 11th September 2026 PANIXPHERE Panixphere have been around for almost as long as Bic Hayes has. It’s just that they’ve been almost terminally intermittent. Over the years, they’ve taken a back seat or a mothballed…
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