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Malfested: Shallow Graves (2020)
I can’t tell you much about this band, as even the gospel which is Encylopaedia Metallum does not know who played on this their debut EP which was released towards the end of 2020. What I do know is that the band hail from Belgium, were only formed last year, and this...
Sam Bartells: Bring You Down (2021) single
Sam is back with his new single, which finds him taking quite a different approach to Where We'll Go, which also featured Mena Wilde. Whereas he normally sits quite happily within alt country, here we see him using that as a base and then moving in a much rockier...
Vera-Ellen: It’s Your Birthday (2021)
{Vera Ellen) (Girl Friday, Maple Syrup) is back in Wellington after some time in Los Angeles, where she wrote most of the material which can now be found on her debut for Flying Nun Records. Written over the space of a few years, the album captures a time in Vera’s...
Bevan Mical: Exhausting The Muse (2021)
For anyone who has come across Bevan’s single, Weekend, we now have an album which is very similar in style and approach to that song, which is one of the 11 songs in the set. When I reviewed that previously, I said it needed repeated playing to get the most out of...
Finger Tight: ineedsomespace vs Polar Bears & Party Chairs (2021)
The other night I got a notification to say there was a new episode of The Distortion Transmission available on YouTube (subscribe to the Muzic.net.nz channel if you haven’t already), so I settled back to see who Will was interviewing this week. It turned out to be...
Shihad: Old Gods (2021)
There is no doubt that Shihad are the Kiwi rock band who should have broken America 20 years ago, and if it wasn’t for a series of unfortunate events such as the attack on the Twin Towers, which caused the band to change their name (Shihad being too close to Jihad,...
Iveta & Simone: Obsessed (2021) single
Although Iveta & Simone have been around for a few years, this single is the first time I have come across them. When it commenced, I felt we were in for some sort of electronic dance music, but I soon realized that in many ways they remind me much more of the...
Grandmother Corn: Don’t Look Back (2019)
Some time back I received this album from Grandmother Corn, but when I came to review it, the band seemed to have all but disappeared from the face of the earth, with links no longer working. Luckily for me, Olav Bjørnsen is way more adept at searching than I am and...
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WHAT”S GOIN’ ON
- Ciro Perrino – Celeste
by Basil Francis on October 11, 2026 at 4:00 pmI wanted to start by hearing how you got into music at an early age and how Celeste came about. In truth, my relationship with music is connatural with my family. Therefore, since I was a child, I was “cradled”…
- The Pineapple Thief – Far And Wide
by Peter Hilton on October 9, 2026 at 4:00 pmIn the infancy of the internet era there were dial-up / email service providers, including my chosen supplier AOL. What has this got to do with The Pineapple Thief (TPT), you ask? Bear with me for a few paragraphs and…
- Nick Fletcher – An Unfolding Of Miracles
by Darren Walker on October 8, 2026 at 4:00 pmI am friends with many musicians, predominantly Prog, but a few who create music for less cultured tastes and most of them struggle to record and put out new material. Invariably they have day jobs, families and other things on…
- Kraanerg – Aria For Labellum Tongues
by Graham Thomas on October 7, 2026 at 4:00 pmKraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…
- Marillion
by Rob Fisher on October 5, 2026 at 4:00 pmEventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…
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