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Bas Rotten: Surge (2020)
17 songs, 21 minutes, yes guys we have some grindcore heading our way. Actually, this feels way more like hardcore punk sped up as opposed to what we currently think of as grindcore, but given that bands like Napalm Death were hugely influenced by the likes of...
Benediction: Scriptures (2020)
When vocalist of over 20 years Dave Hunt announced he needed time away from the band to finish his PhD, the lads decided not to sit back and wait. With Dave’s blessing, they decided to push on without him, and to find the right singer only took one call as they...
Bròn: Pred Dverima Noći (2020)
Bròn is a one-man atmospheric black metal outfit, where everything is provided by Krigeist, who is certanly buys as he is in a host of other groups as well, some of which follow the same vein (Barshasketh, Belliciste, Devoveo, Dunkelheit, Nadsvest, Ophidian Coil,...
Crying Club: Taxi Man (2021) single
{Crying Club} were formed in Wellington at the start of 2021 by friends Sean Beales (drums), Chrissy Pantelakis (bass) and Datu Beech (vocals/guitar), with the stated intention of starting a new emo movement in the capital! They have been gigging over the last few...
Mostly Autumn “Graveyard Star” (2021)
Country: UK Genre(s): Progressive Rock Label: Mostly Autumn Records Format: CD 74 min Release date: late August/early September 2021 (2 CD limited edition), September 24, 2021 (1CD general edition) https://www.mostly-autumn.com/...
French for Rabbits: Ouija Board (2021) single
{French For Rabbits} started life as the duo of Brooke Singer and John Fitzgerald some ten years ago, but by the time of their last album, 2017’s The Weight of Melted Snow they had become a quartet with the addition of Ben Lemi and Hikurangi Schaverien-Kaa, while...
Hatt: Vol. 1. Emulate + Dissipate (2021)
HATT are a new band on the scene, but they are already here with their debut 5-track EP. Mind you, although HATT are a new name, those behind it are definitely not, as anyone who has been involved with the Auckland music scene will recognize all those taking part. At...
Sog: Blooming Buzzing Confusion (2021)
Wellington quartet SOG are back with their third album, with a somewhat unusual but very Kiwi cover photo. There has just been the one line-up change since their 2018 Slate Clean debut, as Bianca Bailey (vocals, drums) joined in time for 2019’s, alongside James Shanly...
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WHAT”S GOIN’ ON
- Ciro Perrino – Celeste
by Basil Francis on October 11, 2026 at 4:00 pmI wanted to start by hearing how you got into music at an early age and how Celeste came about. In truth, my relationship with music is connatural with my family. Therefore, since I was a child, I was “cradled”…
- The Pineapple Thief – Far And Wide
by Peter Hilton on October 9, 2026 at 4:00 pmIn the infancy of the internet era there were dial-up / email service providers, including my chosen supplier AOL. What has this got to do with The Pineapple Thief (TPT), you ask? Bear with me for a few paragraphs and…
- Nick Fletcher – An Unfolding Of Miracles
by Darren Walker on October 8, 2026 at 4:00 pmI am friends with many musicians, predominantly Prog, but a few who create music for less cultured tastes and most of them struggle to record and put out new material. Invariably they have day jobs, families and other things on…
- Kraanerg – Aria For Labellum Tongues
by Graham Thomas on October 7, 2026 at 4:00 pmKraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…
- Marillion
by Rob Fisher on October 5, 2026 at 4:00 pmEventim Apollo, London Thursday, 1 October 2026 Nobody asks the question out loud at the Eventim Apollo on Thursday night, yet it hangs, in some shape or form, over every song we hear. Marillion open with Gaza. Seventeen minutes of…
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