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Liz Tapia: A Christmas Morsel (2020)
I must firstly apologise to Liz as she did indeed send this out in plenty of time to be reviewed before Christmas, but the end of the year became something of a reviewing nightmare for me, so it didn’t make it. Liz is of course lead singer with Dark Beauty, and...
Psycroptic: The Watcher of All (2020)
Tasmania’s Psycroptic have been blasting all before them for more than 20 years and are showing no sign at all of slowing down yet. As with quite a few bands, they have released this single during the current pandemic as a way of keeping things going, although I am...
Slit Your Gods: Dogmatic Convictions Of Human Decrepitude (2020)
No-one can say they have not been warned given the name of the band, the EP title, or the label it has been released on. Yes, what we have here is brutal death metal from a Spanish band who only formed in 2019, with three song titles and styles which are bound to find...
Graves: Graves (2012)
I was recently fortunate to see Graves in concert, something which is going to stick with me for quite a while, as it was a real experience, with volume being used as a weapon and a totally uncompromising approach. Here is a band who mix aggressive punk hardcore with...
Graves / Conniption: Split (2014)
In 2014 Graves put out their next release, a split cassette with Dunedin-based Conniption. The latter were a raw d-beat band, for whom this was their final recording with bass, drums and guitars originally recorded in 2010, with vocals and additional guitar tracks...
Graves: Fides Ad Nauseam (2015)
2015 saw Graves release their next, and currently latest, EP, ‘Fides Ad Nauseam’. Nine songs somehow stretch to some 12 minutes in total length, due primarily to “Suffer” having an epic length of 3:31. Here was a band really getting to grips with their brutal...
Moth Man – “Where the Dead Birds Go”
UK Billywitch Records 43:20 https://www.facebook.com/mothmanbandpage https://mothman.band/?fbclid My Rating 85/100 A mixture of song-based progressive pop with well-structured music with a touch of cool jazz Working on album reviews can sometimes be a trite...
LongTall J –‘2020’ (Year -Two Thousand and Twenty)
A Melodic Instrumental Fusion of Progressive Rock. Heavy Rock and AOR with a tinge of integrated Jazz Review by Geoff Penn 58 mins Private Press Mastered in Kyiv, Ukraine at the Soncesvit studio with Ivan Luzan. https://www.longtallj.com/epk...
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- Nene Valley Rock Festival 2026 – Day Two
by Darren Walker on October 12, 2026 at 4:00 pmGrimsthorpe Castle, Bourne Friday, 4 September 2026 The torrential downpour that had made its unwelcome presence loudly known in the early hours of the morning might have felt like it belonged in the Bible but it soon passed and by…
- Ciro Perrino – Celeste
by Basil Francis on October 11, 2026 at 4:00 pmI wanted to start by hearing how you got into music at an early age and how Celeste came about. In truth, my relationship with music is connatural with my family. Therefore, since I was a child, I was “cradled”…
- The Pineapple Thief – Far And Wide
by Peter Hilton on October 9, 2026 at 4:00 pmIn the infancy of the internet era there were dial-up / email service providers, including my chosen supplier AOL. What has this got to do with The Pineapple Thief (TPT), you ask? Bear with me for a few paragraphs and…
- Nick Fletcher – An Unfolding Of Miracles
by Darren Walker on October 8, 2026 at 4:00 pmI am friends with many musicians, predominantly Prog, but a few who create music for less cultured tastes and most of them struggle to record and put out new material. Invariably they have day jobs, families and other things on…
- Kraanerg – Aria For Labellum Tongues
by Graham Thomas on October 7, 2026 at 4:00 pmKraanerg is the title of a ballet written by Iannis Xenakis in 1969. It is derived from the Greek and translates as ‘accomplished action’. It seems like an apt name for Nat Bergrin’s outfit, as they are certainly accomplished, and…
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