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Holly D. Johnston: Illusive Harmony EP (2020)
When I reviewed Holly’s third album, ‘Stretching The Sky’, I came up with a list of words I was trying to use to describe the album, delicious, seductive, compelling, beautiful, indispensable, folky, wonderful, enthralling, but in the end didn’t use any of them and...
Electric Cake Salad: Live Terremotour (2019)
Electric Cake Salad have an unusual line-up in that they are a rocking band who are using programs while they play, which perhaps isn’t surprising seen they are as influenced by classic electro and techno as much as they are by rock. Steve Gianolio-Jones (guitar,...
Emi Takada: Why Did I Choose You? (2019)
Takada now lives back in Tokyo but has spent considerable time in the States learning her craft, coming initially from a classical background. On this album of standards, she is joined by Michael Kanan (piano), Satoshi Inoue (guitar), Neal Miner (bass) and Dwayne...
Fit for an Autopsy: The Sea of Tragic Beasts (2019)
It has been quite a while since I last heard American deathcore act Fit For An Autopsy, and it looks as if it is only guitarists Will Putney and Pat Sheridan who have stayed the course since 2011’s debut ‘The Process of Human Extermination’. However, they are now back...
Mob Rules: Beast over Europe (2019)
Named of course after the Black Sabbath album, in some ways it is strange to think that Mob Rules have now been going for more than 20 years, with ‘Savage Land’ coming out in 1999. Recorded on the ‘Beast Reborn’ tour, this is the band’s first live album, capturing...
Necronomicon: Unus (2019)
Formed back in 1988 by guitarist and singer Rob “The Witch”, over the years Necronomicon have been through quite a few other musicians. That appears to be the case again here, as the information I have for this release has the line-up as a duo with Rob also providing...
Purulent Necrosis: Cadaverized Humanity (2019)
Everything about this release, from the band name through the album title and then artwork leads the listener to one conclusion about the style of music they are going to hear long before it gets to the player, brutal death metal. With everything out there in the open...
Putrefied Corpse: Left To Rot (2019)
I think this may actually be the first death metal album I have come across from Holland, not an area I would normally consider to be a hotbed for this style of music. The riffs are tight and complex, but there is just something about this which doesn’t sit quite...
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- Eivør – Tungl
by Mel Allen on October 16, 2026 at 4:00 pmOver the course of eleven studio albums, Eivør has established herself as a formidable musical force, blending traditional Faroese folk music with electronic and experimental elements to create music that is both emotional and atmospheric. Coupled with her unique voice,…
- Brand X – Theory Of Nothingby Ian Sharp on October 15, 2026 at 4:00 pm
There’s more to Brand X than being the other band Phil Collins drummed for in the 1970s, allowing scope to express his interest in jazz/rock fusion when he wasn’t active in Genesis or elsewhere, yet that’s possibly how they are…
- Michel St-Père – Like Father Like Sonby David Edwards on October 14, 2026 at 4:00 pm
Like Father Like Son is the intriguing first solo instrumental album by Michel St-Père, the founder, guitarist and creative force behind the Canadian progressive rock band Mystery (along with Huis). However, whilst there are prog elements to be found amongst…
- Nene Valley Rock Festival 2026 – Day Two
by Darren Walker on October 12, 2026 at 4:00 pmGrimsthorpe Castle, Bourne Friday, 4 September 2026 The torrential downpour that had made its unwelcome presence loudly known in the early hours of the morning might have felt like it belonged in the Bible but it soon passed and by…
- Ciro Perrino – Celeste
by Basil Francis on October 11, 2026 at 4:00 pmI wanted to start by hearing how you got into music at an early age and how Celeste came about. In truth, my relationship with music is connatural with my family. Therefore, since I was a child, I was “cradled”…
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