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The John Irvine Band: Take Me To Your Leader (2026)

UK artist John Irvine and his The John Irvine band has been a part of the UK progressive rock scene for 15 years or thereabout as a recording venture, and are best known for their instrumental albums that blends progressive rock and jazzrock into a tasteful and...

Fjall: Helt (2026)

Without looking at the press release I had it in my mind that these guys were probably Norwegian, little did I know they were somewhat closer to home and are an English group comprising Martin Archer (Bb and bass clarinets, sopranino saxophone, flute, bagpipe chanter,...

Lynch Mob: The Final Ride [Live] (2026)

Here we have the live album recorded on their ‘The Final Ride’ tour, and although they released what was supposed to be their last ever studio album at the end of last year, I note that since then George has again changed the rest of the band. The line-up here is of...

Faustian: Parable Of The Sewer (2026)

Since forming in 2019 the three members of Melbourne-based outfit Werewolves have not been hanging around in that they have released seven albums, while also being active in other outfits, so in the downtime they created Faustian to pursue technical black metal and...

Bloodcog: Musics for the Savage Planet (2026)

I am truly fortunate that I enjoy the music I do, as it allows me to experience levels of nerdvana I would never otherwise come across, and given I work in IT I can be a geek at work and sometimes feel the same when I am sat writing. I cannot imagine there being many...

Acolythus: Unearthly Kingdoms ‘Neath Lifeless Stars (2026)

This is quite an interesting release in that all the guys are also founder members of Sargassus, a progressive post-metal act who have been around since 2012, although they only released their debut last year. Angrmáni (Matias Stenman, guitar, vocals), Maleficarum...

Emerald Moon: The Sky’s The Limit Tour (2026)

I have known Thierry Sportouche for more years than either of us would probably like to admit, and I have been a contributor to his Acid Dragon for more than 30 years. There are times when he sends me some French CDs he is sure I would like to review, which is how I...

Distressed: Made Of Stone (2026)

The Finns are back with their second album, with the same line-up as 2023’s ‘Nothing For No One’ debut, namely Petri Lindström (guitar), Jarno Törns (guitar), Jari Penttinen (bass), and Juha Säpsä (drums) and Jarrno Virtanen (vocals). As I said last time, anyone who...

Hecate Enthroned: The Corpse of a Titan, A Lament Long Buried (2026)

Hecate Enthroned have never been the most prolific of bands, and the last of theirs I heard, the excellent ‘Virulent Rapture’ (2013) came out some 9 years after the previous one. Since then lead singer Elliott Beaver has left to be replaced by Joe Stamp, which means...

Dimmu Borgir: Grand Serpent Rising (2026)

I am probably one of the few writers who really enjoyed their last album, 2018’s ‘Eonion’, but even I was bemoaning the loss of ICS Vortex and now the band is down to just two official members with Shagrath and Silenoz, as Galder, who had been guitarist with the band...

The ONE (NETHERLANDS) Lighter Than Air

Second album for this veteran crew (lots of mature proggers expressing themselves lately from Holland, must be the water), the debut dutifully anointed with meritorious praise. Might as well name them all, beginning with vocalist Max Gilkes , Edwin in 't Veld on...

The GIFT (UK) Seven Seasons

Here is another one of my pet favourite bands, Mike Morton being an example of the more talented vocalists available in Progland, with a series of albums that were of very high calibre and exemplary ratings to match, though the previous “Antenna” (2019) was a step...

SKINNER PROJECT (BRAZIL) From Earth, With Love

Keyboardist, bassist, and vocalist Leo Skinner is the man behind this lavish endeavour, and his three band mates add all the firepower one would hope for, a new discovery which garnered my initial attention, in lieu of the rather attractive cover art, and the fact...

GRANDSTAND (SWEDEN) In the Middle, On the Edge

Seemingly dismissed by some as nothing more than unfinished Genesis-style demos, this 1998 debut from Swedish band Grandstand deserves, at the very least, a little deeper analysis that will lead to eventual outright respect. Had the nay-sayers spent a little effort in...

EM/FM (NEW ZEALAND) Pocket Dimensions

I never though that my past reviews of obscure French electronic bands would ever cause me to receive a wonderful review request from faraway New Zealand (only that distant because East Coast Canada would be the antipode of the Maori homeland). Touched by the gesture...

NEMRUD (TURKIYE) At the End of the Day

 Another stellar band that I have neglected to review, even though I own all their four albums, each one of consistently high quality and oozing creative space prog, led by the mercurial Mert Gocay. He renders raucous guitar riffs that scour the wild blue yonder,...

SUPERTHOUSAND (GERMANY) Four

  Always time set aside for new discoveries, especially when it comes completely without any preconceptions, biases or history. Often, the decision is purely random, triggered by the cover art (an old 70s cliché) or suggested by another reviewing site. The trio...

GAZPACHO (NORWAY) Magic 8-Ball

Our favourite cold soup returns from a long 5-year hiatus, a band that crowned many lists between 2005 and 2009 , with 3 stunning albums that set the bar perhaps too high, as Firebird, Night and Tick-Tock were exemplary recordings. Then came a string of lukewarm...

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