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SOLARIS (HUNGARY) Martian Chronicles III – I or A.I.
After Omega, Solaris is most probably the longest on-going Hungarian prog band (with Android not far behind), consistently releasing a long stream of six studio albums that are not only highly rated by the prog fan community but also with critics and reviewers...
ALIANTE (ITALY) Anime Invisibili
My recent trips to Italy have been revelations in a myriad of various ways, a blessed land with so much cultural diversity that the mind truly boggles. My grandfather one stated: “Italy is not a country! It’s a theater”. Musically, they have been talented since the...
Alex CARPANI (SWITZERLAND/ITALY) The Good Man
Its about time to review this interesting musician, after all I own three albums already, but I never got to review any of them until Alex sent me a request to listen to his latest offering. How can I refuse such a kind wish? Born in lovely Montreux, Switzerland and...
![Katherine Wiles: No Autographs, Please! (2024) [Book]](https://houseofprog.com/wp-content/uploads/2024/11/katherine-wells-345x250.jpg)
Katherine Wiles: No Autographs, Please! (2024) [Book]
(288 Pages, Echo Publishing) I guess there are some people who might view me as being something of a cultural philistine, as while I have attended many hundreds of gigs over the years, been to some great musicals (the highlight surely being seeing Topol in ‘Fiddler on...
Arx Atrata: A Reckoning (2024)
I really enjoyed the last album by Arx Atrata, ‘The Path Untravelled’, so was pleased to say they/he is back with their/his fourth release. No, I am not attempting to be correct on gender, but rather this is a one-man outfit from England, with Ben Sizer providing all...
Antonio Adolfo: Love Cole Porter (2024)
The latest album by Brazilian jazz master Antonio Adolfo, who has been releasing albums for more than 60 years, is a tribute to Cole Porter. Recent releases has found Adolfo concentrating on just one artist or style, but normally this is from the Brazilian field. This...
Troy Kingi: Leatherman & the Mojave Green (2024)
Troy Kingi continues to power through his 10/10/10 project of ten albums in ten different musical styles in ten years as we eight to album #8. This is the one I have actually been waiting for as he has been threatening this style for quite some time and I know it is a...
The Slambovian Circus of Dreams: A Good Thief Tips His Hat (1999)
Originally released in 1999, this was the debut album by The Slambovian Circus of Dreams (who have slightly changed their name a few times over the years), released on their own label it was never available in the UK until now, where it has just seen a 25th...
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WHAT”S GOIN’ ON
- Big Big Train
by Leo Trimming on October 3, 2026 at 4:00 pmKomedia, Bath Sunday, 27 September 2026 Big Big Train have been rolling down the tracks as a live outfit since their remarkable 2015 Kings Place gigs, followed passionately by their ‘Passenger’ fans. In 2026 Big Big Train have been carving…
- John Holden – Thresholds
by Jane Lee on October 2, 2026 at 4:00 pmThroughout our lifespan we are constantly transforming. Some of these changes are voluntary while others are forced upon us by circumstance, but after they have occurred we are not quite the same person as before. And as we approach the…
- Nene Valley Rock Festival 2026 – Day One
by Darren Walker on September 30, 2026 at 4:00 pmGrimsthorpe Castle, Bourne Thursday, 3 September 2026 Introduction… Before I set off to the Nene Valley Rock Festival I began to think of all the music festivals that there are held each year, be they Prog, tribute acts or pop.…
- Various Artists – We Are The Beautiful: Two Decades Of Shoegaze 1991-2011by John Giordano on September 29, 2026 at 4:00 pm
As mentioned in another recent review, I’m particularly fond of box sets that cover a scene as opposed to an artist. Because my familiarity with shoegaze is spotty at best, I thought that the We Are The Beautiful compilation would…
- Celeste – Prince Of One Dayby Basil Francis on September 28, 2026 at 4:00 pm
The progressive scene in Italy took slightly longer to catch on than it did in the UK, with PFM and Banco’s stunning debuts and sophomores only showing up in 1972, by the time Yes and many other British groups had…
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