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The Brat: Straight Outta East L.A. (2017)
I get offered a lot of albums to review on a daily basis, with most of the emails being filed in case I need to reference them later, but without downloading the music. For some strange reason I decided to grab this set from a band which broke up in 1985, releasing...
Sam Ross: Live at the Mira Room, Vol. II (2023)
In many ways this feels like the beginning of a whole new world, and I am sure this is not the last time we will come across an album like this. On one level here we have a fascinating and thoroughly enjoyable jazz EP by the trio of Sam Ross (piano, Fender Rhodes)...
Red Hot Shame: You Can’t Make Me (2023)
Red Hot Shame is an indie rock group from a Northern California where the mainstay is singer-songwriter Xeff Scolari who works with a fluctuating line-up of friends. This time around it included frequent collaborators Steven Pitsenbarger (vocals, percussion), Ryan...
Kariti: Dheghom (2024)
Back in 2020 I reviewed the debut album by Kariti, ‘Covered Mirrors’, and she is finally back with the follow-up. Kariti (карити), which means 'to mourn the dead' in church Slavonic, is a Russian-born artist now based in Italy and this release sees her moving away...
Just One Fix: Submit or Death (2024)
One of my favourite NZ metal bands in Just One Fix, and it is way too long since they released an EP. We have been getting tasters with singles, but at least we have six tracks, 26 minutes in length and the only real issue is that it is not enough, where is the album?...
John Michaelz and the Black Brothers Band: Soul Exodus (2023)
Towards the end of 2022 I was asked to review the ‘Limited Edition’ EP by this band, and to be honest I was not too sure about undertaking it as this is a reggae act, a genre I confess to knowing virtually nothing about. I found I really enjoyed it, although I was...
![Fiffdimension: Acoustic [Yin] / Electric [Yang] (2023)](https://houseofprog.com/wp-content/uploads/2024/06/FIFFDIMENSION-400x250.jpg)
Fiffdimension: Acoustic [Yin] / Electric [Yang] (2023)
What we have here is a double CD set from Dave Edwards to celebrate 25 years of Fiffdimension, with one disc acoustic and the other electric, both housed in the same digipak so by turning it over one has the correct artwork and track listing for one style and by...
Dronestool: DeathHawk (2023)
I have now been reviewing music for more than 35 years, which means it is somewhat embedded in me so if I head to a gig I find it difficult not to review it, and when someone sends me an album just for me to listen to, not to review, then it always ends up on my list....
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WHAT”S GOIN’ ON
- Big Big Train
by Leo Trimming on October 3, 2026 at 4:00 pmKomedia, Bath Sunday, 27 September 2026 Big Big Train have been rolling down the tracks as a live outfit since their remarkable 2015 Kings Place gigs, followed passionately by their ‘Passenger’ fans. In 2026 Big Big Train have been carving…
- John Holden – Thresholds
by Jane Lee on October 2, 2026 at 4:00 pmThroughout our lifespan we are constantly transforming. Some of these changes are voluntary while others are forced upon us by circumstance, but after they have occurred we are not quite the same person as before. And as we approach the…
- Nene Valley Rock Festival 2026 – Day One
by Darren Walker on September 30, 2026 at 4:00 pmGrimsthorpe Castle, Bourne Thursday, 3 September 2026 Introduction… Before I set off to the Nene Valley Rock Festival I began to think of all the music festivals that there are held each year, be they Prog, tribute acts or pop.…
- Various Artists – We Are The Beautiful: Two Decades Of Shoegaze 1991-2011by John Giordano on September 29, 2026 at 4:00 pm
As mentioned in another recent review, I’m particularly fond of box sets that cover a scene as opposed to an artist. Because my familiarity with shoegaze is spotty at best, I thought that the We Are The Beautiful compilation would…
- Celeste – Prince Of One Dayby Basil Francis on September 28, 2026 at 4:00 pm
The progressive scene in Italy took slightly longer to catch on than it did in the UK, with PFM and Banco’s stunning debuts and sophomores only showing up in 1972, by the time Yes and many other British groups had…
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